Writing Still Life of An Artist - Short Story

Boddy

Was once Boddy903
Member
Hey, guys. I just wanted to share a short story I wrote a while ago. This story is only for feedback, as I am not entirely serious with this story. However, I kind of like it. :)


Still Life of an Artist


William​


I’ve made my choice. My mother was holding me back from my artistic talent, and if I let her win and keep me down, I’d get nowhere with my life. So now I run in the dusk. I need to find her, Gwyneth, in Greenswich. If I truly want to hone my skills, I have to look to her for assistance. Now, I imagine, Greenswich is not far off Only a few kilometers away. I should hope to arrive by the sunrise of the next day. I packed light, carrying only two loaves of bread, a jug of water, a few morsels of chicken, my sketchbook and quill, and a candle.

After travelling for what seemed like forever I arrive at a steep hill, and decide there’s no where to go but up. I run toward the hill, and almost immediately begin to lose my balance, and roll shortly back to the bottom.

“Hey there, need some help young boy?” says a voice. Out of the shadows comes a woman, probably at the age of 20. I look closely at her face, and see that she’s got wrinkles around her eyes, and I guess she’s aged about 10 years, making her look 30.

I reply in the positive, and she gives me a boost. Once I reach the top, I thank her, and give her a slice of bread, which she hastily eats. As I turn around, toward Greenswich, I hear another voice. A man has joined her, and I hear the name “Angelina” mentioned. They flee, and I can hear a dragging sound, as if they were carrying a heavy sack around.

I turn back, facing the direction of where Greenswich should be, and become confident that I’ve done the right thing. I climb up a second hill, and at the very top, I see the reassuring lights of Greenswich.

Gwyneth​


“Now, pay attention William, by mixing different colors, you can create various new colors, and create totally new hues and shades. Are you listening?”

“Huh? Sorry, Gwyneth, I started to daydream,” said William.

“William, we’ve been studying for two years, why are you suddenly losing your focus?”

“I’m truly sorry, maybe we can go on.”

I walked around the room, thinking of a new topic. Then I realized it may have been time to tell him my devoted maxims. “Ok, I will tell you two great guidelines that you can follow in your paintings in order to create wonderful masterpieces. Are you ready?”

“Yes, Gwyneth.”

“Ok, the first is, ‘Only paint from experience.’ Now, what this means, is that your paintings will become more enjoyable if you actually experience the landscape and activity being emphasized in the painting.”

“What’s the second?”

I stood over him, making me seem larger than I actually was, and said, “Look around you. Have you often wondered why I have so many paintings?”

“Yes. Why don’t you sell these? I bet you’d turn quite a profit.”

“I never sell any more paintings than I need to actually survive. I believe that once you obtain a vast amount of wealth, you become manipulated, and before long, it’s all you think about. This holds very true with my old colleagues. His name, was Miguel.”

“Miguel? I’ve never heard you mention that name. What happened, who is he?”

“It all began 7 years ago, when I began apprenticing this young girl named Angelina. When she first came to me, she wasn’t very skilled, and her paintings were very lifeless. I assumed that she wanted to improve, so I took her under my wing. Over the course of the next two years, I began mentoring her, and she sadly showed little improvement. I was determined, however, to get some great art from her, so I continued. It wasn’t until five months later that some of my favorite work was missing. I asked her, but she said she hadn’t a clue. I was determined to catch the culprit, so I laid bait. A small water color portrait I quickly painted that same day. I left it on the easel, and went out to wait. After a while, I saw Angelina walk in, and steal the painting. I caught her, but then, Miguel came in. He had a strong build, and before I could stop them, I was smacked against the wall, and I fell unconscious.”

I paused to see if William was paying attention, and he was staring very intently at my face, so I continued. “When I awoke, I found my studio in ruins. All my paintings, paints, and tarp were missing. All that was left was a bottle of wine that I had used to store acrylic paint. I wasn’t about to let this stop my painting, mind you. I went out, and spent the last amount of money I had, and bought a few paints, and one easel. With this, I restarted my life, and was once again successful in my own sense. A few days after, I heard that Miguel was on the run with Angelina, afraid of being persecuted. It wasn’t until seven months ago I heard that they had fallen down a steep cliff they had overlooked, and they died. She would have just turned 22 last week.

“So remember this, William, ‘Don’t let money and greed soil your paintings.’”

William​

“William. On this day, March 15th, I am proud, to call you an artist.” Said Gwyneth, outside her small home.

“Thank you, Gwyneth. I still find it hard to believe that it’s been only 4 years since I began learning from you. I’ll miss you, Gwyneth, truly.”

“Wait. Before you run off, I have a gift.” Gwyneth ran back into her home, and came back with a small yellow box, decorated with a purple ribbon. “Open it.”

I opened the box, and in it, placed ever so gently, were three objects. A paintbrush, a glass, and a medium-sized bottle of acrylic paint.

“Gwyneth, thank you. I’ll prove to you that I can become a great artist, and I’ll start from nothing, just like you. I promise.” With that, I embraced Gwyneth, and I grabbed my bags. I slowly depart, peering deep into the sun, sure of my future.

I peer toward the hills, and suddenly, I think of Miguel and Angelina, and the sack they carried.


Gwyneth​

It’s been 6 years since I released William, who is now a grown man, and in that time, I’ve heard fabulous stories of his wealth, so I decided to pay him a visit. On the 6th anniversary of his departure, I walked into his mansion in uphill London, and I stepped into the front parlor. There, I saw several men dressed in suits, each looking fanciful. In the center, was William.

“Hello, William, I see you’ve done pretty well for yourself.” I say, cheerfully.

Once I say this, the whole congregation halts, and William stares intently at me.

“Who let you in?” he says scornfully.

“Don’t you remember me? I’m Gwyneth.”

“Pah! I know nobody named Gwyneth, and I certainly am no friend of yours, nor will I give you any spare change! Be gone!”

“How dare you! I taught you everything about art! Did you forget what I taught you?”

“You are wasting my time, beggar, all my success has come from my own effort, my own teachings. What could I have to learn from an old poor woman like you? How to steal?” At this remark, all the men begin to laugh. Feeling ashamed, I stormed out of his home, and leave his gift with a note.

William​

I look at the clock and realize its turned 10:30. Assuring myself it was late, I turn off the candles. While walking toward my bedroom, I see a small box by my door. I tear off the lid, and in it, lay a bottle of acrylic paint, a paintbrush, and a glass.

The items seemed familiar, but I couldn’t quite place them. On the floor next to the box, was a small, crumpled note. I picked it up, and read aloud:

Here are your tools of patience and grace.
Maybe now you’ll remember what I have taught you



So, tell me what you think guys. I only want to improve. But if you start ranting at me, I'm not going to accept your criticism. I'm only accepting ones that actually make you seem like you want me to improve, not shut me down.
 
It would certainly help if you read the Writing rules around here and follow the formatting first. |3

Thanks.
 
Woops, sorry, Zy. I just pasted it from Microsoft Word. I'll fix it right away.
 
Yah, I already have another story I plan on posting once this is one has been up for a while. It should help clear out any information you may need.
 
Personally I'd have liked it a lot better if you hadn't shifted between the two characters so much (but then, I guess I can't say too much since I actually do this exact thing with my Feral Twilight piece, by switching between first and third person instead of stating which character is going to be talking and using first person)... Other than that, I think you could've focused a bit more on general description; I had kind of a hard time picturing what was happening... All in all it's not bad, though, Boddy. I definitely hope to see more from you.
 
Thanks, Apollo. I guess I kind of rushed into this one, seeing as I tried to stay within a four page maximimum. But, don't worry, I hope my next one will fix this problem.
 
Knowing the very writer I was to critique, I took a quick skim at Poisonwood Bible before tackling your fanfic. I have found that favorite works tend to affect the reader's own writing in at least some subtle difference. I managed to find at least a few possible relations, but this is not important in anything but the sense in how it helps/harm your own writing.

Even for a “short” story, this was particularly lacking for a multitude of reasons (while I'm at this, Open Office has you down as barely past two pages); there are almost no transitions in your writing, as each point-of-view change jumps some huge span of time. This in itself is not troublesome. What is very troublesome is that each of the highlights of William's life that you write to us is not focused. You glide over too much and there is utterly no emphasis to anything, no repetition. As a result, the reader would tend to be unconvinced or even moved by the story. Just hold what I just said into the back of your head as I continue; the solutions I plan to suggest is better said after a few things.

The opening “I've made my choice” seems fine enough. The narrator appears to have faced some dilemma and made up his mind on deciding which route to take. However, this opening also (to you) begs an explanation, because the reader is naturally inclined to ask “What are the choices to begin with?” So you move into explanation mode and continue “My mother was holding me back...”, and the reader simply sighs at such a cliche situation. Do not go into explanation mode if it can be avoided. You could easily have demonstrated William's mother's adamant of keeping him from the artistic life through actions, just as Kingsolver demonstrated Nathan Price to be an utter jerk and coward through actions. Words from the minister didn't earn the reader's sympathy, so why would William's words either?

Also, be careful with what you're implying with the story. I read the beginning, thought of the story to be of repression vs. expression, and was completely disappointed when I learned otherwise. Most readers would not be as sensitive as I in this aspect, but do be careful and think a bit about writing the story in this fashion; the more consistent you can make your writing, the smoother feel it has.

Another thing to watch out are logical inconsistencies. These can be devastating to your credibility for a careful reader, or when you're on the forums, some troll would gladly use it against you. There are two obvious ones. The first begins with Gwyneth's introduction to “various new colors,” a basic lesson of hue which certainly does not take two whole years to reach. You will have real artists rage on you for that. The second revolves around the confusion of Angelina and Miguel. After learning the story of the two, one has to wonder why William saw them when he just meets Gwyneth; the implications mean that the two have recently have escaped, but according to the math in Gwyneth's story, they should have made a run for it at least a few years ago (the beginning of the story is five years ago, and about two and a half years passed since she caught them. There's still another two and a half years remaining for their escape).

A worse thing than inconsistency, however, is absence. Miguel's change for the worse was left totally unexplained, his family's epilogue unaccounted for, and we feel pretty much robbed of a good section of the story.

As Apollo has said, your use of jumping from POV to POV is doing you more harm than good (if any good at all). Have you kept the focus mainly only on William, the reader will be focused on the development of his life (which you left incomplete), which is perhaps a more crucial addition to the story rather than the Gwyneth's viewpoint.

To be honest, I was tempted to continue this critique, but any more would be too much, overwhelming. I'd much rather you focus on fixing the backbone of the story before fixing the exterior as well.
 
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